SOUNDBOARD.Starts at Christine's Think of Me. Of course, when I do that it also becomes clear how CLEAR this is - I can hear the swish of Rebecca's dress in AIAOY for example.ĭave Willets, Rebecca Caine (alt), Michael Ball, Yvette Davis (u/s Carlotta) (Also not the same as the other Dave/Rebecca Soundboards.) Very mild hiss - noticible only when I jack the volume up. SOUNDBOARD.HIGHLIGHTS only, focused on Christine. Gorgeous sound quality, very minor amount of analog hiss from what is likely an early generation transfer.ĭave Willets, Rebecca Caine (alt), Michael Ball * Supposedly Crawford's & Barton's last before heading to Broadway *ĭave Willets, Rebecca Caine (alt), Michael Ball, Rosemary Ashe Michael Crawford, Rebecca (alt), Steve Barton Michael Crawford, MariaKesselman(u/s), Steve Barton Michael Crawford (Phantom), Rebecca Caine (Christine), Steve Barton (Raoul) Have I said it lately how happy I am all these early London soundboards have popped up? Very very minor amount of hiss - only heard when I've got the volume up past the halfway mark. But there are some decent quality moments in there as well. Quite a bit of analog hiss - it sometimes overpowers the audio.
Some very strange tracking choices - MOTN is broken two tracks. Act 1 runs about 46 minutes, Act 2 about 35 minutes. Michael Crawford, Rebecca Caine, Steve Barton Michael Crawford, Rebecca Caine (alt), Steve Barton, John Savident, David Firth, Rosemary Ashe, Mary Millar, John Aron, Janet Devenish On the rare side, I haven't seen this one floating about. OMG, Michael GROWLS just before he says, "You try my patience!" Very very VERY mild hiss that's only heard at the quietest of moments (example, as Michael cries before, during and after "Christine I love you" during the Final Lair.) I wonder if this was planned for use as some sort of promo, or as sound clips? The quality on this one however is absolutely FANTASTIC. Only eight tracks (Overture, part of Think Of Me, The Mirror/Phantom Of The Opera, Music Of The Night, All I Ask Of You/I Gave You My Music, part of Wishing You Were Somehow Here Again, Point Of No Return, and part of Final Lair.) Final Lair was SERIOUSLY edited. Michael Crawford, Maria Kesselman (u/s), Steve Barton Still, much better quality than I thought I was getting so no complaints! Very mild hiss when the volume is jacked up. Michael Crawford, Rebecca Caine (alt), Steve Barton, Rosemary Ashe, Janet Devenish, Mary Millar, John Savident, David Firth, John Aron (The number in parenthesis after the date is simply a part of my filing system.) This has also often been traded as London, March 27, 1987. Crawford is excellent here - his MOTN runs over six minutes. So I'm splitting the grade, the higher being Act 1. Act 1 is far and away better quality than Act 2 - the latter being barely listenable with tons of hiss and significant generation loss. Missing the Prologue, Little Lotte, The Mirror, and the Title Song. Michael Crawford, Claire Moore (alt? u/s?), Steve Barton Michael Crawford, Sarah Brightman, Steve Barton Michael Crawford, SarahBrightman & Steve Barton
PHANTOM OF THE OPERA 25TH ANNIVERSARY FINAL LAIR FULL
Phantom of the Opera - Full Show Backing TracksĬolm Wilkinson, SarahBrightman, Clive Carter, Myra Sands, David Burt, Jeff Shankley, Jacqui Harman
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